[Den] Gamle Berliner Langeland & Tåsinge, Drejlsdansen, Roskildeegnen, Berlinerkontra fra Vejle-egnen, Horsensegnen, [per J. Madsen], [per Whelans],

Country: Horsensegnen, Langeland, Roskildeegnen, Taasinge, Vejle, Denmark
Type: set dance

    Den gamle Berliner, Taasinge
Formation: 4 couple quadrille. Head couples (couples 1 and 2) respectively have their backs to or face the music. Side couples: couple 3 stands to the right of couple 1, and couple 4 faces couple 3.
Steps: chassé (change step), hurretrin (buzz step), reeltrin (jig step).
Sheet music: 358:418,
Recordings:

Bars Part Dance progression:
|:1-8:| 1 (a) Circle: All couples form closed circle and circle CW, 16 buzz steps.
9-22   (b) Cross-overs (opføring) - head cpls: W1 & W2 cross-over, ie dance in front of partner, through the couple to L, passing behind side M and up beside him. Meanwhile, M1 & M2 dance behind partner, through couple to R, in front of M, behind side W, and up beside her. All begin with L foot, 3 chassé steps. Finish in 2 lines facing each other:
                        W1   M1
                        M4   W3
                        W4   M3
                        M2   W2
                         front			                       
Meanwhile side couples open: couples dance 1 chassé step away from partner, 1 chassé step forward towards centre of set, 1 chassé step toward partner, and retire to place, chassé step.
Jig steps: Holding hands in lines, all dance 8 reel (jig) steps.
9-22   Head couples cross-over to return to original place. Side couples open. [Ie finish in quadrille formation] 3 chassé steps & 8 jig steps.
9-22   Side couples cross-over to opposite place. Head couples open. Finish in lines:
                  M3   W2  M2  W4
                  W3   M1  W1  M4
                       front			                       
9-22   Side couples cross-over to return to original place. Head couples open. [Ie finish in quadrille formation] 3 chassé steps & 8 jig steps
    Part (b) is the same in all sequences.
|:1-8:| 2 (a) Swing: All swing on the spot, 16 buzz steps.
|:1-8:| 3 (a) W circle: W form closed circle and circle CW, 16 buzz steps.
|:1-8:| 4 (a) M circle: M form closed circle and circle CW, 16 buzz steps.
|:1-8:|   Circle: All form closed circle and circle CW, 16 buzz steps.
The dance finishes with (5 (b)).

See video from KØST2017.

Source: Sørensen, Pia & Per/ I: 55 gamle folkedanse fra forskellige egne samlet og bearbejdet af Pia & Per Sørensen. 5:e opl. [Kolding]: Eget forlag, [2003]. p. 38.

   
    Gamle Berliner, Langeland
Formation: 4 couple quadrille. Head couples (couples 1 and 2) respectively have their backs to or face the music. Side couples: couple 3 stands to the right of couple 1, and couple 4 faces couple 3.
Steps: chassé (change step), hoptrin (step-hop).
Sheet music: (1) 358:9, (2) 'Old Berlin' in: Burchenal, Elizabeth (trans.)/ Folk dances of Denmark, containing seventy-three dances.... New York, NY: G. Schirmer, 1915. p. 52. [Same tune as Kina from Sønderjylland.]
Recordings: Renate Osterholz et al Liflig sang cd 2 track 05 [Dancilla]

Bars Part Dance progression:
|:1-8:| 1 (a) Circle: Beginning with a stamp [on beat (1:1)], all couples form closed circle and circle CW, 8 step-hops. Ditto CCW with a stamp[on beat (1:1)], 8 step-hops.
9-22   (b) Cross-overs (opføring) - head cpls: W1 & W2 cross-over, ie dance in front of partner, through the couple to L (passing in front of W and behind M) to opposite side and continue toward centre of set. Finish on 'wrong' side of partner [ie W to L of partner]. Meanwhile, M1 & M2 dance behind partner, through couple to R (in front of M and behind W) to opposite side and continue toward centre of set. During cross-overs, M turn individually CCW (over L shoulder) while W turn CW (over R shoulder). 10 step-hops or 1 chassé followed by 8 step-hops.
On the opposite side, beginning with a stamp [on beat (18:1)], head couples change places with partner, M passing behind partner, while turning once round CW (over R shoulder) and retreating to place. 4 step-hops.
Meanwhile side couples open: couples dance 1 away from partner (M to L, W to R), forward towards centre of set, toward partner (M to R, W to L), and retire to place. While opening, M turn individually CW (over R shoulder) while W turn CCW (over L shoulder). 10 step-hops or 1 chassé followed by 8 step-hops.
9-22   Head couples cross-over to return to original place. Side couples open.
9-22   Side couples cross-over to opposite place. Head couples open.
9-22   Side couples cross-over to return to original place. Head couples open.
    Part (b) is the same in all sequences.
|:1-8:| 2 (a) One-hand hold: All take R-in-R hold with partner and, beginning with a stamp, turn CW, 8 step-hops. Ditto CCW in L-in-L hold, 8 step-hops.
|:1-8:| 3 (a) Two-hand hold: All take 2-hand hold with partner and, beginning with a stamp, turn CW, 8 step-hops. Ditto CCW, 8 step-hops.
|:1-8:| 4 (a) Front-crossed hold: All take front-crossed hold with partner and, beginning with a stamp, turn CW, 8 step-hops. Ditto CCW, 8 step-hops.
|:1-8:| 5 (a) W circle: W form closed circle and, beginning with a stamp, turn CW, 8 step-hops. Ditto CCW, 8 step-hops.
|:1-8:| 6 (a) M circle: M form closed circle and, beginning with a stamp, turn CW, 8 step-hops. Ditto CCW, 8 step-hops.
|:1-8:| 7 (a) W one-hand star: W form R-hand star and, beginning with a stamp, circle CW, 8 step-hops. Ditto CCW, in L-hand star, 8 step-hops.
|:1-8:| 8 (a) M one-hand star: M form R-hand star and, beginning with a stamp, circle CW, 8 step-hops. Ditto CCW, in L-hand star, 8 step-hops.
|:1-8:| 9 (a) Two-hand hold: All take 2-hand hold with partner and circle CW (M backwards) [ie without turning], beginning with a stamp, 8 step-hops. Ditto CCW (W backwards), 8 step-hops.
|:1-8:|   Hele verden (circle: Beginning with a stamp [on beat (1:1)], all couples form closed circle and circle CW, 8 step-hops. Ditto CCW with a stamp[on beat (1:1)], 8 step-hops.

Source: Foreningen til Folkedansens Fremme (FFF)/ Beskrivelse af gamle danske folkedanse hefte I. 7:e opl. København: Foreningen til Folkdansens Fremme, 1976, pp. 15-17.
See also:
-- 'Old Berlin' in: Burchenal, Elizabeth (trans.)/ Folk dances of Denmark, containing seventy-three dances.... New York, NY: G. Schirmer, 1915. pp. 52-53.
-- 'Old Berlin' in: Hanson, Lida Saboni & Laura Wolcott Goldsmith (trans.)/ Old Danish folk dances described by the Association for the Promotion of Folk Dances (Foreningen til Folkedansens Fremme). Copenhagen: Foreningen til Folkedansens Fremme, 1906

   
    Drejlsdansen, Roskildeegnen
Formation: 4 couple quadrille. Head couples (couples 1 and 2) respectively have their backs to or face the music. Side couples: couple 3 stands to the right of couple 1, and couple 4 faces couple 3.
Steps: hurretrin (buzz step), chassé (change step), hoptrin (step-hop).
Sheet music: (1) 'Drejlstykket, Holbæk' 358:10, (2) 'Linen dance' in: Burchenal, Elizabeth (trans.)/ Folk dances of Denmark, containing seventy-three dances.... New York, NY: G. Schirmer, 1915. p. 47.
Recordings:

Bars Part Dance progression:
|:1-8:| 1 (a) Circle: All form closed circle and circle CW, 16 buzz steps.
9-22   (b) Cross-overs (opføring) - head cpls: W1 & W2 cross-over, ie dance in front of partner, through the couple to L (passing in front of W and behind M) to opposite side and continue toward centre of set, crossing in front of partner. Meanwhile, M1 & M2 dance behind partner, through couple to R (in front of M and behind W) to opposite side and continue toward centre of set, crossing behind partner. Finish on 'wrong' side of partner [ie W to L of partner]. Once in centre, both couples stamp 3 times. 8 step-hops followed by 3 stamps.
On the opposite side and while staying in centre of set, head couples change places with partner, M passing to L behind partner, and W to R in front of partner. 1 chassé followed by 3 stamps.
Meanwhile side couples open: couples dance away from partner [M to L, W to R], forward towards centre of set, toward partner [M to R, W to L], and retire to place, 8 step-hops.
9-22   Head couples cross-over to return to original place, retreating to place during the final 3 stamps. Side couples open.
9-22   Side couples cross-over to opposite place. Head couples open.
9-22   Side couples cross-over to return to original place, retreating to place during the final 3 stamps. Head couples open.
    Part (b) is the same in all sequences.
|:1-8:| 2 (a) Swing: In waltz hold with partner, all swing on the spot, 16 buzz steps.
|:1-8:| 3 (a) Swing: In waltz hold with partner, all swing on the spot, 16 buzz steps.
|:1-8:| 4 (a) Swing: In waltz hold with partner, all swing on the spot, 16 buzz steps.
|:1-8:| 5 (a) W R-hand star: W form R-hand star and circle CW, 16 buzz steps.
|:1-8:| 6 (a) M R-hand star: M form R-hand star and circle CW, 16 buzz steps.
|:1-8:| 7 (a) W R-hand star: W form R-hand star and circle CW, 16 buzz steps.
|:1-8:| 8 (a) M R-hand star: M form R-hand star and circle CW, 16 buzz steps.
|:1-8:| 9 (a) W R-hand star: W form R-hand star and circle CW, 16 buzz steps.
|:1-8:| 10 (a) M R-hand star: M form R-hand star and circle CW, 16 buzz steps.
|:1-8:| 11 (a) Circle: All form closed circle and circle CW, 16 buzz steps.
|:1-8:|   Swing: In waltz hold with partner, all swing on the spot, 16 buzz steps.

Source: Foreningen til Folkedansens Fremme (FFF)/ Beskrivelse af gamle danske folkedanse hefte I. 7:e opl. København: Foreningen til Folkdansens Fremme, 1976, pp. 17-18.
See also:
-- 'Linen dance' in: Burchenal, Elizabeth (trans.)/ Folk dances of Denmark, containing seventy-three dances.... New York, NY: G. Schirmer, 1915. p. 47.

   
    Berlinerkontra fra Vejle-egnen
Formation: 4 couple quadrille. Head couples (couples 1 and 2) respectively have their backs to or face the music. Side couples: couple 3 stands to the right of couple 1, and couple 4 faces couple 3.
Steps: chassé (change step), gangtrin (walk), løbetrin (run), svingtrin (buzz step).
Sheet music: (1) 358:378,
Recordings:

Bars Part Dance progression:
|:1-8:| 1 (a) Circle: All couples form closed circle and circle CW, 16 small, leisurely running steps. Ditto CCW, 16 small, leisurely running steps.
9-12   (b) Cross-overs (opføring): In preparation for cross-overs, W take L-in-L hold with partner, her L arm in front of partner. M has R arm around partner's back with his R hand on her R side.
Head couples cross-over: Beginning with L foot, W dances in front of partner, through the couple on her L (passing in front of M and behind W) to opposite side. Meanwhile, M dances behind his partner, through couple on his R (in front of M and behind W) to opposite side. 3 chassé steps followed by 2 walking steps. ,
Meanwhile side couples open: couples dance 1 chassé sideways away from partner (M to L, W to R), 2 walking steps forward towards centre of set, 1 chassé sideways toward partner (M to R, W to L), and 2 walking steps back to place.
13-16   Swing: Head couples take waltz hold with partner and swing CW on the spot, 8 buzz steps.
9-16   Cross-overs (opføring): Head couples repeat (b) to return to place.
|:17-24:|   (c) Cross-overs (opføring): Side couples cross-over as above. Head couples open.
    Part (b) is the same in all sequences, with the exception of (8 (c)) - see below.
|:1-8:| 2 (a) W one-hand star: Women's R-hand star, CW, 16 running steps CW. Ditto CCW in L hand star, 16 running steps.
|:1-8:| 3 (a) M one-hand star: Men's R-hand star, CW, 16 running steps CW. Ditto CCW in L hand star, 16 running steps.
|:1-8:| 4 (a) W two-hand star: Women's two-hand star CW, 16 running steps. Ditto CCW, 16 running steps.
|:1-8:| 5 (a) M two-hand star: Men's two-hand star CW, 16 running steps. Ditto CCW, 16 running steps.
|:1-8:| 6 (a) W back basket: Women form back basket and circle CW, 16 running steps. Ditto CCW, 16 running steps.
|:1-8:| 7 (a) M back basket: Men form back basket and circle CW, 16 running steps. Ditto CCW, 16 running steps.
|:1-8:| 8 (a) Circle: All form closed circle and circle CW, 16 running steps. Ditto CCW, 16 running steps.
|:9-16:|   (b) Polka: All take waltz hold with partner and dance polka around the floor.

See video from KØST2017.

Source: Sørensen, Pia & Per/ I: 55 gamle folkedanse fra forskellige egne samlet og bearbejdet af Pia & Per Sørensen. 5:e opl. [Kolding]: Eget forlag, [2003]. p. 7.

   
    Berlinerkontra fra Horsensegnen
Formation: 4 couple quadrille. Head couples (couples 1 and 2) respectively have their backs to or face the music. Side couples: couple 3 stands to the right of couple 1, and couple 4 faces couple 3.
Steps: chassé (change step), forgangen nats trin, hoptrin (step hop), hopsa.
Sheet music: (1) 358:8, (2) Foreningen til Folkedansens Fremme (FFF)/ Tolv danske folkedanse: et udvalg ved Foreningen til Folkedansens Fremme. Kolding: Konrad Jørgensens Bogtrykkeri, 1920. p.16., (3) 'Berlin contra' in: Burchenal, Elizabeth (trans.)/ Folk dances of Denmark, containing seventy-three dances.... New York, NY: G. Schirmer, 1915. p. 50.
Recordings: Mikkelsen, Verner Village folk dances (Folk Fun 95861 V.M.) track 04

Bars Part Dance progression:
|:1-4:| 1 (a) Circle: All couples form closed circle and circle CW, 8 step-hops. Ditto CCW, 8 step-hops.
5-7   (b) Cross-overs (opføring): Head couples cross-over: W dances in front of partner, through the couple to her L, and meets partner in opposite couple's place. Simultaneously, M dances behind his pertner, through the couple to his R, and meets partner in opposite couple's place. 6 step-hops.
Meanwhile side couples open: couples dance sideways away from partner, forward towards centre of set, turn to face partner and dance forward toward partner, and finally retire to place. 4 chassé steps.
8-11   Head couples take waltz hold, and turn on the spot with 8 forgangen nats trin.
12-14   Head couples cross over to original places. Meanwhile side couples open.
15-18   Head couples take waltz hold, and turn on the spot with 8 forgangen nats trin.
5-7   Side couples cross-over. Meanwhile head couples open.
8-11   Side couples take waltz hold, and turn on the spot with 8 forgangen nats trin.
12-14   Side couples cross over to original places. Meanwhile head couples open.
15-18   Side couples take waltz hold, and turn on the spot with 8 forgangen nats trin.
    Part (b) is the same in all sequences.
|:1-4:| 2 (a) One-hand to partner: R-hand to partner, dance CW on the spot 8 step-hops. L-hand to partner, dance CCW on the spot 8 step-hops.
|:1-4:| 3 (a) Two-hands to partner: 2-hand hold with partner. 8 step-hops CW on the spot, then 8 step-hops CCW on the spot.
|:1-4:| 4 (a) W R-hand star: Women's R-hand star, CW, 16 step-hops.
|:1-4:| 5 (a) M R-hand star: Men's R-hand star, CW, 16 step-hops.
|:1-4:| 6 (a) W two-hand star: Women's two-hand star [front basket], CW, 16 step-hops.
|:1-4:| 7 (a) M two-hand star: Men's two-hand star [front basket], CW, 16 step-hops.
|:1-4:| 8 (a) W circle: Women's circle, CW and CCW. 16 step-hops.
|:1-4:| 9 (a) M circle: Men's circle, CW and CCW. 16 step-hops.
    Hopsa: The dance is traditionally followed by a hopsa out around the dance floor, to any hopsa tune, as dessert.

See YouTube video with Grupo de Danças Alemãs de Presidente Lucena 2015

Source: Foreningen til Folkedansens Fremme (FFF)/ Beskrivelse af gamle danske folkedanse hefte I. 7:e opl.. København: Foreningen til Folkedansens Fremme, 1976, pp. 14-15
See also:
-- Foreningen til Folkedansens Fremme (FFF)/ Tolv danske folkedanse: et udvalg ved Foreningen til Folkedansens Fremme. Kolding: Konrad Jørgensens Bogtrykkeri, 1920. pp.15-17.
-- 'Berlin kontra' in: Hanson, Lida Saboni & Laura Wolcott Goldsmith (trans.)/ Old Danish folk dances described by the Association for the Promotion of Folk Dances (Foreningen til Folkedansens Fremme). -[ first part]. Copenhagen: Foreningen til Folkedansens Fremme, 1906. p.10.
-- 'Berlin contra' in: Burchenal, Elizabeth (trans.)/
Folk dances of Denmark, containing seventy-three dances.... New York, NY: G. Schirmer, 1915. pp. 50-51.

   
    Berlinerkontra fra Horsensegnen [per John Madsen]
Formation: 4 couple quadrille. [Couple 1 has backs to the music, additional couples are numbered 2, 3, and 4 CW around the set.]
Steps: chassé (change step), hoptrin (step-hop).
  • Cross-over: Couples 1 and 3 change places with 6 step-hops, the men passing behind their partners and between the couple on the right as the women pass in front of partners and between the couple on the left. Partners meet one another in opposite place.
  • Open: couples 2 and 4 move in a square. Beginning with the outside foot take 1 two-step outward, 2 steps forward (inside, outside foot), one two-step inward with inside foot, 2 steps backward (outside, inside foot).
Sheet music: Bryans, Helen L. and John Madsen Scandinavian dances. Book II. Toronto: Clarke, Irwin & Co. Ltd., 1942. p. 24.
Bars Part Dance progression:
|:1-4:| 1 (a) Circle: Couples in ring formation [closed circle] 8 step-hops CW and 8 step-hops CCW.
5-7   (b) Cross-overs: Couples 1 and 3 cross-over, while couples 2 and 4 open.
8-11   Couples 1 and 2 in dance position [waltz hold], and turn with step-hop.
12-18   Repeat measures 5-11, couples 1 and 3 finising in place.
5-18   Repeat measures 5-18, couples 2 and 4 cross over, couples 1 and 3 open.
    Part (b) is repeated after each part (a).
|:1-4:| 2 (a) One-hand to partner: Partners join right hands and turn CW. Repeat CCW.
|:1-4:| 3 (a) Two-hands to partner: Partners in ring grasp [two-hand hold] turn CW and CCW.
|:1-4:| 4 (a) W one-hand star: Women's single mill [R-hand star] CW.
|:1-4:| 5 (a) M one-hand star: Men's single mill [R-hand star] CW.
|:1-4:| 6 (a) W two-hand star: Women's double mill [front basket] CW.
|:1-4:| 7 (a) M two-hand star: Men's double mill [front basket] CW.
|:1-4:| 8 (a) W circle: Women's circle CW.
|:1-4:| 9 (a) M circle: Men's circle CW.
|:1-4:| 10 (a) Circle: Repeat (1 (a) and (b)).
    Hopsa: To finish the dance, music changes to hopsa and couples in dance position [waltz hold] hopsa about the room.

Source: Bryans, Helen L. and John Madsen/ Scandinavian dances. Book II. Toronto: Clarke, Irwin & Co. Ltd., 1942. pp. 24-25.

   
    Berlinerkontra fra Horsensegnen [per Margaret & Carson Whelan]
Formation: 4 couple quadrille. Head couples (couples 1 and 2) respectively have their backs to or face the music. Side couples: couple 3 stands on the side to the right of couple 1, and couple 4 faces couple 3.
Steps: chassé (change step), hoptrin (step-hop), schottis, gangtrin (walk).
  • Cross-over: head couples change places with 2 running schottis steps, W passing in front of partner and between couple on the left, M passing behind partner and between couple on the right. Partners meet on opposite side [and turn] with 10 step hops in place.
  • Open: side couples moving away from partner first, doing a small square formation: start on outside foot take 1 two-step away from partner, starting with inside foot take 2 walking steps toward centre, starting with inside foot take 1 two-step toward partner, then 2 walking steps back to place.
Bars Part Dance progression:
1-4 1 (a) Circle: Couples in a closed circle, 8 step-hops CW.
1-4   Cross-overs: Couples in a closed circle, 8 step-hops CCW.
5-11   (b) Couples 1 and 2 cross-over. Meanwhile couples 3 and 4 open.
12-18   Couples 1 and 2 cross over to original places. Meanwhile couples 3 and 4 open.
5-11   Couples 3 and 4 cross-over. Meanwhile couples 1 and 2 open.
12-14   Couples 3 and 4 cross over to original places. Meanwhile couples 1 and 2 open.
12-18   Couples 3 and 4 cross over to original places. Meanwhile couples 1 and 2 open.
    Part (b) is the same in all sequences.
|:1-4:| 2 (a) One-hand to partner: Partners dance with each other in place. Facing one another join R hands and dance around on the spot with step hops CW. Repeat going CCW.
|:1-4:| 3 (a) W one-hand star: Women's single mill, starting with R hand in - step-hop CW, then reverse.

Source: Village folk dances: Scandinavian dances music by Verner Mikkelsen, instructions noted by Margaret & Carson Whelan as learned from John Madsen "many years ago". [mimeog.] [Toronto, ON]: s.n., n.d.


Translation: L. Ruus, Oakville, 2017-07-16, rev. 2022-12-06.


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