Country: Sweden
Type: couple dance/mixer
Klappdans
Type: mixer Formation: any number of couples in open circle, holding inside hands, facing LOD. Steps: polka, walk Sheet music: (1) Karlson, Gustaf (red.)/ Svenska folkdanser och sällskapsdanser. Stockholm: Svenska Undomsringen för Bygdekultur, 1944. p. 162. (2) Musik till gillesdanser i Norden - fiol. [Stockholm: Svenska Undomsringen för Bygdekultur], 1970. p. 11. (3) Stefan Lindén, (4) Folkets Hus Spillefolk Recordings: Four Times 'klappdans' [sic] [Internet Archive]; Gunnar Hahns Folkdansorkester Nordiska danser track A3; Michael Herman's Folk Dance Orchestra Folk dances for fun (1958) track 12 [Internet Archive]; RCA Victor Folk Dance Orchestra [Internet Archive]; Spillemandslauget Østjyderne Nordiska legestuemelodier track 15 [Google sites]; Victor Band 1912 [Internet Archive]; Victor Orchestra 1927 [Internet Archive]; unattributed [YouTube]. |
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Bars | Part | Dance progression |
1-8 | (a) | Polka: Starting with outside (ML/WR) foot, couples dance 8 polka steps, moving in LOD and turning alternately towards partner and away from partner. |
1-8 | Couples take mazurka hold [similar to waltz hold, but ML/WR joined hands on ML hip] and dance 8
polka steps turning CW and moving in LOD.
Finish in double circle, facing partner, M facing out of circle, W facing in. Hands on hips. |
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9-12 | (b) | Figuré: All curtsey/bow to partner (9) and clap own hands 3 times (10). Repeat (11-12). |
13 | Couples clap R-hands, then own hands. | |
14 | Couples clap L-hands, then own hands. | |
15 | Couples clap R-hands while turning individually CCW (over L shoulder) with 2 walking steps. | |
16 | Couples stamp 3 times. | |
9-12 | All curtsey/bow to partner (9) and clap own hands 3 times (10). Repeat (11-12). | |
13-16 | Couples shake R forefinger at partner (13), shake L forefinger at partner (14), clap R-hands while individually turning CCW (over L shoulder) with 2 walking steps (15), and stamp 3 times (16). | |
Repeat from (a) as desired.
Each time the music is repeated, M dances the first polka step in (a) on the spot, as W move forward to next M in LOD (=new partner), and dance continues with new partner. See YouTube videos with Svenska Ungdomsring för Bygdekultur, Qvarnakullen, Skansen children's group. Provenance: Variants occur in several Nordic countries, including klappdans, [Norway], [Sweden]. Source:
Beskrivning av gillesdanser i Norden. [Stockholm]: Svenska Ungdomsringen för Bygdekultur, 1970. pp. 40-41.
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Fingerpolkett, Värmland
Type: couple dance Formation: any number of couples in open circle, mazurka hold [similar to waltz hold, but ML/WR joined hands on ML hip] Steps: polka or polkett, walk Sheet music: (1) Karlson, Gustaf (red.)/ Svenska folkdanser och sällskapsdanser. Stockholm: Svenska Undomsringen för Bygdekultur, 1944. p. 169. (2) Musik till gillesdanser i Norden - fiol. [Stockholm: Svenska Undomsringen för Bygdekultur], 1970. p. 9. (3) Stefan Lindén. Recordings: unattributed [YouTube]. |
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Bars | Part | Dance progression |
1-8 | (a) | Polka/polkett: Couples take mazurka hold [like waltz hold, but ML/WR joined hands on ML hip], and starting with outside (ML/WR) foot, dance 8 polka/polkett steps, turning CW, moving in LOD. |
1-8 | In mazurka hold, couples dance 8 polka/polkett steps turning CCW, moving in LOD.
Finish in double circle, facing partner, M facing out of circle, W facing in. Hands on hips. |
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9-10 | (b) | Figuré: Beginning with R foot, partners stamp 5 times in time to the music: R-L-RLR. |
11-12 | Partners clap own hands 5 times in time to the music. | |
13-16 | Couples shake R forefinger at partner (13), shake L forefinger at partner (14), clap R-hands while individually turning CCW (over L shoulder) with 2 walking steps (15), and stamp 3 times (16). | |
9-16 | Repeat (b). | |
Repeat from (a) as desired. The dance finishes with polka/polkett (ie part (a)).
See videos with Jösshäringarna, Arvika, Värmland 1927, on Dancilla from SUB and on YouTube. Provenance: related to klappdans. Source: Beskrivning av gillesdanser i Norden. [Stockholm]: Svenska Ungdomsringen för Bygdekultur, 1970. p. 37.
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